The Subtitles

For people who refuse to listen.

alphaville

Review: Alphaville (Spine #25)

Is it visionary or just pretentious? Our Jean-Luc Godard Alphaville analysis explains why this 1965 sci-fi film feels more like a full-length cologne commercial.

high and low criterion

Review: High and Low (Spine #24)

Read our High and Low Criterion review. We revisit Spine #24 to discuss Kurosawa’s masterful police procedural, the ransom moral dilemma, and Toshiro Mifune.

summertime

Review: Summertime (Spine #22)

Read our Summertime Criterion review. We revisit Spine #22 to discuss David Lean’s romance, Katharine Hepburn’s vulnerability, and the magic of Venice.

Dead Ringers

Review: Dead Ringers (Spine #21)

We revisit Dead Ringers to discuss Jeremy Irons’ dual performance, the “mutant women” tools, and Cronenberg’s clinical horror.

sid & nancy

Review: Sid & Nancy (Spine #20)

Read our Sid & Nancy Criterion review. We revisit Spine #20 to discuss the “Romeo and Juliet of Punk,” Gary Oldman’s transformation, and the horror of addiction.

shock corridor criterion

Review: Shock Corridor (Spine #19)

Read our Shock Corridor Criterion review. We revisit Spine #19 to discuss Samuel Fuller’s asylum thriller, the use of color hallucinations, and the hubris of sanity.

the naked kiss criterion

Review: The Naked Kiss (Spine #18)

Read our The Naked Kiss Criterion review. We revisit Spine #18 to discuss Samuel Fuller’s pulp masterpiece, the shocking opening, and suburban hypocrisy.

Movie Nunchaku Masters

Movie Nunchaku Masters

“Fellow chucker, eh?” We compiled the definitive nunchaku masters list. See why Me, Myself & Irene made the cut alongside John Wick 4.

Best Movie Birthday Parties

7 Best Movie Birthday Parties

Celebrate with the 7 best movie birthday parties of all time. From Uncle Buck’s giant pancakes to the horror of The Omen, we rank the wildest parties on film.

American Werewolf in London

Most Jarringly Tragic Scene Ever

We analyze the An American Werewolf in London ending, arguing it is the most jarringly tragic scene in film history. Discover why that hard cut still stuns audiences.

Movie Nunchaku Masters

Movie Nunchaku Masters

“Fellow chucker, eh?” We compiled the definitive nunchaku masters list. See why Me, Myself & Irene made the cut alongside John Wick 4.

Best Movie Birthday Parties

7 Best Movie Birthday Parties

Celebrate with the 7 best movie birthday parties of all time. From Uncle Buck’s giant pancakes to the horror of The Omen, we rank the wildest parties on film.

American Werewolf in London

Most Jarringly Tragic Scene Ever

We analyze the An American Werewolf in London ending, arguing it is the most jarringly tragic scene in film history. Discover why that hard cut still stuns audiences.

Movie Nunchaku Masters

Movie Nunchaku Masters

“Fellow chucker, eh?” We compiled the definitive nunchaku masters list. See why Me, Myself & Irene made the cut alongside John Wick 4.

Best Movie Birthday Parties

7 Best Movie Birthday Parties

Celebrate with the 7 best movie birthday parties of all time. From Uncle Buck’s giant pancakes to the horror of The Omen, we rank the wildest parties on film.

alphaville

Review: Alphaville (Spine #25)

Is it visionary or just pretentious? Our Jean-Luc Godard Alphaville analysis explains why this 1965 sci-fi film feels more like a full-length cologne commercial.

high and low criterion

Review: High and Low (Spine #24)

Read our High and Low Criterion review. We revisit Spine #24 to discuss Kurosawa’s masterful police procedural, the ransom moral dilemma, and Toshiro Mifune.

summertime

Review: Summertime (Spine #22)

Read our Summertime Criterion review. We revisit Spine #22 to discuss David Lean’s romance, Katharine Hepburn’s vulnerability, and the magic of Venice.

Dead Ringers

Review: Dead Ringers (Spine #21)

We revisit Dead Ringers to discuss Jeremy Irons’ dual performance, the “mutant women” tools, and Cronenberg’s clinical horror.

sid & nancy

Review: Sid & Nancy (Spine #20)

Read our Sid & Nancy Criterion review. We revisit Spine #20 to discuss the “Romeo and Juliet of Punk,” Gary Oldman’s transformation, and the horror of addiction.

shock corridor criterion

Review: Shock Corridor (Spine #19)

Read our Shock Corridor Criterion review. We revisit Spine #19 to discuss Samuel Fuller’s asylum thriller, the use of color hallucinations, and the hubris of sanity.

the naked kiss criterion

Review: The Naked Kiss (Spine #18)

Read our The Naked Kiss Criterion review. We revisit Spine #18 to discuss Samuel Fuller’s pulp masterpiece, the shocking opening, and suburban hypocrisy.

alphaville

Review: Alphaville (Spine #25)

Is it visionary or just pretentious? Our Jean-Luc Godard Alphaville analysis explains why this 1965 sci-fi film feels more like a full-length cologne commercial.

high and low criterion

Review: High and Low (Spine #24)

Read our High and Low Criterion review. We revisit Spine #24 to discuss Kurosawa’s masterful police procedural, the ransom moral dilemma, and Toshiro Mifune.

summertime

Review: Summertime (Spine #22)

Read our Summertime Criterion review. We revisit Spine #22 to discuss David Lean’s romance, Katharine Hepburn’s vulnerability, and the magic of Venice.

Dead Ringers

Review: Dead Ringers (Spine #21)

We revisit Dead Ringers to discuss Jeremy Irons’ dual performance, the “mutant women” tools, and Cronenberg’s clinical horror.

sid & nancy

Review: Sid & Nancy (Spine #20)

Read our Sid & Nancy Criterion review. We revisit Spine #20 to discuss the “Romeo and Juliet of Punk,” Gary Oldman’s transformation, and the horror of addiction.

shock corridor criterion

Review: Shock Corridor (Spine #19)

Read our Shock Corridor Criterion review. We revisit Spine #19 to discuss Samuel Fuller’s asylum thriller, the use of color hallucinations, and the hubris of sanity.

the naked kiss criterion

Review: The Naked Kiss (Spine #18)

Read our The Naked Kiss Criterion review. We revisit Spine #18 to discuss Samuel Fuller’s pulp masterpiece, the shocking opening, and suburban hypocrisy.

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